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 Keith Milow  (1945 - )

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Lived/Active: New York / England      Known for: painting and sculpture

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from Auction House Records.
88/34/D; 88/36/D (2)
Artwork images are copyright of the artist or assignee

Born in London, England, 1945
Moves to New York in 1980


1962-67 Camberwell School of Art, London
1967-68 Royal College of Art, London
1968 Experimental work at Royal Court Theatre, London.


1970-72 Gregory Fellowship, Artist in Residence, Leeds University, England
1972-74 Harkness Fellowship, New York, NY
1976 Calouste Gulbenkian Foundation, Visual Arts Award
Arts Council of Great Britain First Prize, Tolly Cobbold/Eastern Arts
2nd National Exhibition
1982 Edward Albee Foundation Award, Montauk, NY


1971 Gregory Fellows Exhibition, Leeds City Art Gallery, Leeds, England
Institute of Contemporary Art, London
Park Square Gallery, Leeds
1972 Kings College, Cambridge, England
Park Square Gallery, Leeds
“Utrechtking,” Utrecht, The Netherlands
Leeds City Art Gallery, Leeds
1973 Nigel Greenwood Inc., London
J. Duffy & Sons, New York, NY
Galerie Jacomo Santiveri, Paris, France
Kettle’s Yard Gallery, “Keith Milow Drawings and Small Works,”
Walker Art Gallery, Liverpool, England
Galerie Albert Baronian, Brussels, Belgium
Felicity Samuel Gallery, “Photographs - Works,” London
1979 Galerie Loyse Oppenheim, Geneva, Switzerland
Rowan Gallery, London
Marguerite Oestriecher, "25 Drawings," New Orleans, LA
Tate Gallery, "Keith Milow: Works From the Collection," London
Annina Nosei Gallery, New York


1990 Deson-Saunders Gallery, "Structures," Chicago, IL
Nohra Haime Gallery, "Homage to the Square," New York
Nigel Greenwood Gallery, London
Pence Gallery, "Sixth Sense," Santa Monica, CA
Annina Nosei Gallery, New York
Tate Gallery, “New Acquisitions,” London
Annina Nosei, "Personal Portraits," New York
Denver Art Museum, "Visions/Revisions: Selections from the Permanent
Collection," Denver, CO
Nohra Haime Gallery, "Selections," New York
Nohra Haime Gallery, "Topography of a Landscape," New York
Demarco Gallery, "Pictures for an Exhibition," Edinburgh, Scotland
1991-92 "Cruciformed: Images of the Cross Since 1980," organized and circulated
by the Cleveland Center for contemporary Art, Cleveland, OH;
University Art Gallery, Wright State University, Dayton, OH;
Western Gallery, Western Washington University, Bellingham, WA;
Macdonald Stewart Art Centre, Guelph, Ontario, Canada
1992 Salon de Mars - Nohra Haime Gallery, Paris
Nohra Haime Gallery, "10th Anniversary Exhibition," New York
Nohra Haime Gallery, "Summer Pleasures," New York
Smith Gallery, "Contemporary Arts Society Benefit" London
1993 Art Miami - Nohra Haime Gallery, Miami, FL
Nohra Haime Gallery, "Intuitive Perception," New York
The Art Show (Art Dealers Association of America) - Nohra Haime
Gallery, New York
FIAC - Nohra Haime Gallery, Paris, France
Boblurin Gallery, Aspen: Inaugural Show
1994 Art Miami - Nohra Haime Gallery, Miami
FIAC - Nohra Haime Gallery, Paris, France
1995 Baldwin Gallery, Aspen, CO
Art Miami - Nohra Haime Gallery, Miami
The Art Show - Nohra Haime Gallery, New York
30th Anniversary Exhibition- Gallery North, Setaukaet, NY
FIAC - Nohra Haime Gallery, Paris
1996 Art Miami - Nohra Haime Gallery, Miami
Art Chicago - Nohra Haime Gallery, Chicago
FIAC “Sculpture” - Nohra Haime Gallery, Paris
Nohra Haime Gallery, “XVth Anniversary Exhibition” - New York
Nohra Haime Gallery, “Works on Paper, With Paper and Drawings by
Gallery Artists,” New York
Baldwin Gallery, Aspen, CO
“The Art Show”, The Armory, Nohra Haime Gallery, New York
Visual Arts Gallery, “79-97: An Exhibition of Works by Curators of the
Visual Arts Gallery 1979-1997”, May-June 1997, New York
Satellite, “Bridge”, May-June 1997, New York
Nohra Haime Gallery, “The Power of Color,” New York, NY
FIAC – Nohra Haime Gallery, Paris
LaSalle Gallery, “Defining Structures,” NationsBank Plaza, Charlotte,
1998-99 Denver Art Museum, “Contemporary British Artists: The Mirror Up to
Nature," Denver, Colorado
1999 Nohra Haime Gallery, “Equilibrium of the Senses,” New York
Nohra Haime Gallery, “Double Take,” New York
Nohra Haime Gallery, “Indoor-Outdoor Sculpture,” New York
2000 Aldrich Museum of Contemporary Art, “Faith,” Ridgefield, CT
2004 Galerie Martin Van Zomeren, "Freefall," Amsterdam, The Netherlands
Okaloosa -Walton Art Center, “Past, Present, Future,” Niceville, FL


Adelaide Public Art Gallery, Australia
Allen Art Museum, Oberlin, OH
Arts Council of Great Britain, UK
Art Gallery of Ontario, Toronto, Canada
Art Gallery of South Australia
Brasenose College, Oxford, England
British Council, UK
Contemporary Art Society, England
Church of Corpus Christi, New York
Denver Art Museum, Denver, CO
Henry Moore Foundation, UK
Imperial War Museum, London
Kings College, Cambridge, England
Leeds City Art Gallery, Leeds, England
Long Island University, Port Washington, NY
Mead Gallery, University of Warwick, England
Metropolitan Museum of Art, New York
Museum of Fine Arts, Budapest, Hungary
Museum of Modern Art, New York
National Gallery of Australia, Canberra, Australia
Newark Museum, Newark, NJ
Oberlin College, Oberlin, OH
Scottish National Gallery of Modern Art, Edinburgh
Solomon R. Guggenheim Museum, New York
Swindon Art Gallery, Swindon, England
Tate Gallery, London
The Montgomery Sculpture Trust, Middlesex, England
Victoria and Albert Museum, London
Walker Art Gallery, Liverpool, England


Canary Wharf, London
Norfolk Academy, Norfolk, VA


Artco, Geneva, Switzerland
Banque Lambert, Brussels, Belgium
British Airports Authority
Café Loup, New York
Canary Wharf Limited, One Canada Square, London
Capitol Group, London
Chase Manhattan Bank, New York
EMI Worldwide, London
Glaxo UK, London
Goldman Sachs International, London
Goldman Sachs, New York
Go-Ta Gruppen Corporation, Stockholm, Sweden
Hewlett Packard, London
International Finance Corporation, Washington, D.C.
Mc Crory Corporation, New York
Pacific Enterprises, Los Angeles, CA
Pearl Assurance, London
Penguin Books, London
Prudential Property Company, Inc., Newark, NJ
J. Sainsbury PLC, London
Saudi American Bank, London
Sheraton Hotel, Chicago
Simmons & Simmons, London
Southeast Banking Corporation, Miami, FL
Stanhope Properties PLC, London
Texaco Corporation, London
Thames and Hudson, London


“Album: Keith Milow,” Arts Magazine, New York, April 1987, pp.104-105.
Albee, Edward. “A Note on the Artists,” Artists from the Edward F. Albee Foundation. East
Hampton, NY, Guild Hall Museum, exhibition catalogue, illustrated.
Arte Inglese Oggi 1960-76. Part One. British Council Comune di Milano, Electra Editrice,
Milano. 1976, pp.32-33 &158-163, exhibition catalogue, illustrated.
De Neuvillate, Alfonso. “Straus, Papetti, Milow: Visiones Deshumanizadas del Siglo XX,”
Casas & Gente, Mexico, February, 2000, p.12, illustrated.
Donovan, Joe. "The Fuller Building," Avenue Magazine, New York, November 1985, illustrated.

“Faith: The Impact of Judeo-Christian Religion on Art at the Millennium,” The Aldrich Museum
of Contemporary Art, Riegfield, CT, January, 23-May, 29, 2000, exhibition catalogue, illustrated.
Feaver, William. "Keith Milow," Studio International, London, October, 1972, pp.34-37,
_______. “London Letter,” Art International, London, November 1972, pp.38-39.
_______. “Keith Milow,” Financial Times, London, November 14, 1974, p.3.
_______. “Keith Milow,” Art Spectrum, London, January 1975, p. 47.
_______. Review, Sunday Observer, London, 1989.
Games, Stephen. "Faith Saving Exercise," The Independent, London, May 5, 1987.
Gerstler, Amy. "Review: Keith Milow - Pence Gallery," Artforum, New York, Summer 1991.
Gregory Fellowship. University of Leeds, England, 1972, exhibition catalogue.
Grosfeld, Jeroen & Keith Milow. Utrechtkring , Utrecht, February 1972, exhibition catalogue.
Hawkins, Margaret. "Milow Sculptures, Artificial Relics, Honor Art Heros," Chicago Sun Times,
Chicago, May 20, 1994. p. 19.
Hughes, Robert. "From Sticks to Cenotaphs," Time, New York, Feb. 11, 1980, p. 65.
Kaplan, Steve. Artfinders. Spring, 1987.
Kayser, Alex. Artist’s Portraits. New York, Harry N. Abrams Inc. 1981.
Keith Milow. University of Leeds, 1971, exhibition catalogue, illustrated.
Korotkin, Joyce. “Time and the Obliteration of Legacy,” NYArts, New York, December
1999, p. 90.
Kuspit, Donald. "Review," Artforum, New York, January, 1983, p. 74.
______________. “Keith Milow/ Nohra Haime Gallery,” Artforum, New York, January 1998, pp.
102-103, illustrated.
Lewis, Adrian. "Keith Milow at Nigel Greenwood," Artscribe, London, June, 1987, p.58.
Lynton, Norbert. Arte Inglese Oggi, Milan, Palazzo Reale, 1976, exhibition catalogue.
Livingston, Marco. British Object Sculptures of the '80's II. book, illustrated.
Lucie-Smith, Edward. Art Now, Phaidon Press, London, 1996, #110, pg. 96, illustrated.
Masheck, John. "Cruciformality," Artforum, New York, Summer 1977, pp.56-63, illustrated.
________. "Hard Core-Painting," Artforum, New York, April 1978, pp.46-55.
________. “Iconicity,” Artforum, New York, January 1979, pp.30-41.
________. “Pictures of Art,” Artforum, New York, May 1979, pp.26-37.
________. Corpus Christi Church and Its Art: A Modern View. New York, 1981, brochure.
________. “Smart Art,” Point Magazine, New York, 1985, pp.84-87, illustrated.
Milow, Keith. The Twentieth Century Thames.Arts & Events. London, Canary Warf Limited,
1998, brochure, illustrated.
Milow, Keith. “Twentieth Century Thames, One Canada Square Foyer” Canary, August 2001.
Mitchell, Mary Niall. "Keith Milow/Nohra Haime," Cover, New York, October 1992, p. 14,
Modern Masters II. Runkel-Hue-Williams Ltd, London, 1988, exhibition catalogue, illustrated.
Morphet, Richard. “Improved Reproductions: Notes in Progress on Keith Milow”, Nigel
Greenwood Gallery, London, 1970.
McCoy, Jason. “Group Show,”, Reviews, Cybersurfing 57th, June-July, 1997.
New English Inquiry/nueva encuesta inglesa .Road Show, British Council, exhibition catalogue,
Overy, Paul. Review. The Times, London, November 27, 1973.
“Pictures for an Exhibition” Works collected by Brian Montgomery during the past thirty years.
Edinburgh, The Richard Demarco Gallery, May 24-June 30, 1991, exhibition catalogue,
Pintura Britanica Contemporanea. Madrid, Museo Municipal, April-May, 1983, pp. 144-45,
exhibition catalogue, illustrated.
Pomeroy Schwartz, Joyce. Defining Structures, Charlotte, NC, LaSalle Partners at NationsBank
Plaza, 1998, exhibition catalogue, illustrated.
Road Show: Nueva enuesta inglesa. London, British Council, 1971. pp.40-41, illustrated.
Recent British Art. London 1977: British Council p. 16-18 illustrated.
Rosenblum, Robert. Keith Milow: 100 Drawings 1988-1989. London: Nigel Greenwood
Gallery, 1989, exhibition catalogue, illustrated.
_________."Keith Milow/Preview." Contemporary Art, London, Winter 1993-94, p.28-28.
_________. Keith Milow Recent Work, Nohra Haime Gallery, New York, April 11-May 13, 1995,
exhibition catalogue, illustrated.
Rubin, David. Cruciformed: Images of the Cross Since 1980. Cleveland, OH: Cleveland Center
for Contemporary Art, 1991. exhibition catalogue. illustrated.
Russell, John. “Keith Milow, Annina Nosei Gallery,” The New York Times, New York, October 1,
________. “Recent sculptures by Keith Milow,” The New York Times, New York, April 10, 1987,
p. 26.
________. “Keith Milow at John Davis Gallery,” The New York Times, New York, October 21,
Russell Taylor, John. "Fibreart," London Times. London, 1979
________. “Men, beasts and landscapes in London Keith Milow, Rowan Gallery” The Times,
London, November 27, 1979.
Sandiford, Melanie. “Xe Biennale d’Art: The Process of Painting,” Palais de l’Europe, Menton,
France, July 1974.
Schaff, David. "British Art Now at the Guggenheim and Beyond." Art International, London,
vol. XXIII/10, March-April 1980, p 68-70, illustrated.
School of Visual Arts Fine Arts Faculty. New York, School of Visual Arts, 1982, pp.88-89,
catalogue, illustrated.
Seymour, Anne. “Choice States: Keith Milow in conversation with Anne Seymour,” Studio
International, London, March 1972, pp.112-115, illustrated.
_______. Modern British Art from the Tate Gallery, Palais des Beaux-Arts, Brussels, 1973,
exhibition catalogue, illustrated.
Slatin, Peter. "Intuitive Perception/Nohra Haime," Artnews, New York, May 1993, p. 141.
Smith, Roberta. "Art: Exxon Show at the Guggenheim," The New York Times. New York,
September 4, 1987. P C20.
Strauss, Mark J. Unpainted Metal. New York: John Davis Gallery, 1988. exhibition fold-out.
Sztuka wspolczwsna Wielkiej Brytanii. Muzeum Narodowe, Wroclaw, 1977, exhibition
catalogue, illustrated.
Tatransky, Valentin. “Review : Keith Milow,” Arts Magazine , New York, January 1983, p.37-38,
The Gregory Fellows 1972. City Art Gallery, Leeds, 1972 , exhibition catalogue.
The Tate Gallery Illustrated Catalogue of Acquisitions 1984-86. London, 1987, pp. 211-213,
Thompson, David. Recent British Art. London, British Council, 1976, exhibition catalogue,
Ukropina, James & Susan B. Rush. The Art Collection of Pacific Enterprises. Los Angeles, 1991
pp.131 and 215, illustrated.
Vaisey, Marina. “Keith Milow and Diter Rot,” Financial Times, London, March 11, 1971.
________. Review. Financial Times. London, November 28, 1973.
Varley, William. New Work, New York: Art in the Apple. Newcastle Polytechnic Gallery, 1983,
exhibition catalogue.
Waldman, Diane. British Art Now. New York: Solomon R. Guggenheim Museum, 1980,
exhibition catalogue, illustrated.
________. Emerging Artists. New York: Solomon R. Guggenheim Museum, 1987, exhibition
catalogue, illustrated.
Wei, Lilly. “Keith Milow at Nohra Haime,” Art in America, New York, June 1998, pp.113-4,
Westfall, Stephen. "Keith Milow at Alexander Wood," Art in America, New York, January, 1988,
p.132-134, illustrated.
Wilson, Simon. "Keith Milow," Studio International, London, September-October, 1976, pp.213-
Wilson Lloyd, Ann. "Keith Milow at Nohra Haime," Art in America, New York, November 1995.
p. 114.
Wohlfert-Wihlborg, Lee. “Europe’s Exuberant New Wave Artist,” Town & Country, New York,
Yau, John. “Keith Milow at Annina Nosei”, Art in America, New York, December 1982, pp.124-
25, illustrated.

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