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 Lee Mero  (1885 - 1977)

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Lived/Active: Minnesota/Illinois      Known for: commercial art-Christmas card design, western illustration

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Lee Mero
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This biography from the Archives of AskART:
“There is one man in Minneapolis who has to think in terms of Christmas all year round.” Such a man was Lee Mero, a successful commercial artist and illustrator of Christmas greeting cards, who frequently visited Morrison County and became well known in the Little Falls area. Born May 30, 1885, in Ortonville, MN, Lee V. Mero was a younger brother of Dr. Frank H. Mero, a prominent Little Falls dentist around the turn of the century. The Little Falls Daily Transcript followed the accomplishments and exploits of Lee Mero, and through those newspaper articles the story of a talented artist unfolds.

Lee Mero studied art and illustration at the Minneapolis School of Art and later at the Chase School of Art in New York City – both schools which famous Little Falls artist George W. Harting also attended. During the summer of 1908, Lee worked as purser on the steamboat Hopkins on Lake Minnetonka, and made headlines when he saved the life of a seven year old girl who fell overboard and rescued by Mero in a feat of bravery – considering Lee could not swim! His artistic talents also made news as the Transcript in December 1910 reported that large lithographic reproductions of his drawings were on sale locally and were “attracting considerable attention.”

Quoting from the Minneapolis Tribune, the Transcript in March 1913 carried a lengthy article regarding an exhibition of the Attic Club, a show which included two controversial works by Lee Mero.  Done in the Cubist style, his A Gentleman Eating Noodle Soup led the Tribune to muse, “It is expected that this painting will create a furor,” when exhibited along with his other painting, The Loss of the 29,000 Hairpins.  Furor or not, the Tribune in August 1913 admired Mero as “the artist who painted the Minneapolis scenes reproduced in the charming booklet issued by the Civic and Commerce association for the use of visitors.”

In February 1917, Mero spent a month in New York City and made the headlines again when he was arrested for drawing the Brooklyn Bridge! The Transcript, again quoting the Tribune, had a field day explaining how this “prominent member of the Minneapolis art circle” and “respected and admired member of the Attic Club” had so innocently set out to draw the Brooklyn Bridge only to be arrested as a spy. The arresting officer applied the cuffs to innocent Lee, who was unaware that such an act was any violation during the height of World War One.  Soon released by a police captain with a stern warning, Mero stayed in New York City long enough to attend a reunion of 21 alumni of the Minneapolis School of Art who resided in the Gotham area and gathered at the famous studio loft of George W. Harting. The following year, Lee won both first and third prizes at the 1918 Minnesota State Fair art exhibit.

Married to Kathryn Rice of Fargo in 1920, Lee briefly moved to Chicago, working for the Chas. D. Frey Advertising Co. where he designed ads for Coca-Cola. Returning to Minneapolis, he became head of the art department of the George Buzza Company (later Buzza-Cardoza Co.), working on poem cards and posters. Around this time he began to concentrate on Christmas greeting cards, and the Transcript via the Tribune reported in December 1921 that Mero labored to create Christmas cards year around: “He sits in his office all his working hours, planning ways to say ‘Merry Christmas’ in new ways that still have the charm of the old.” Neither spring, summer or fall were “allowed to come between him and his all-year Christmas meditations.” His cards were noted for their human quality, and his hobby was stated as photographing “crowds at a fire where everyone is straining to see the spectacle; it is from these photographed figures that he gets his inspirations for his Christmas card people.”

Becoming a highly successful creator of Christmas cards led Mero to work as a freelance artist in 1937, and he was a longtime contributor to the Augsburg Publishing House’s famous annual Christmas publication. Lee continued to find success freelancing in design, decorative illustration, creating mottos and greeting cards, until his retirement around 1971. Lee Mero passed away in 1977 at the age of 92, but his art work laden with Christmas themes are timeless in the joy they bring to us all – as if to say – “And to all a merry Christmas!”


By Bruce Mellor
Copyright 1993, Morrison County Historical Society, Little Falls, Minnesota

Submitted by Virginia Berger



This biography from the Archives of AskART:

Born in Ortonville, Minnesota, Lee Mero was a specialty design illustrator for mottos and greeting cards at the Buzza Company in Minneapolis.  He was a pupil of Robert Koehler in Minneapolis and Robert Henri in New York and was a member of the Minneapolis Society of Fine Arts.


He was a member of the Attic Club, which had been founded in 1909 in Minneapolis by a group of 13 artists.  Other early members of the club were Theodore Keane, Edwin Dawes, August Kaiser and others.  The club held exhibitions, gave teas, costume balls, etc.

Additional information supplied by Larry Greenly.

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