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 Silvio Merlino  (1952 - )

About: Silvio Merlino
 

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Lived/Active: Italy      Known for: painting

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Ad Code: 4
AskART Artist
from Auction House Records.
Tropical Swizerland, 1994
Artwork images are copyright of the artist or assignee
Biography from NOHRA HAIME GALLERY:
Please note: Artists not classified as American in our database may have limited biographical data compared to the extensive information about American artists.

SILVIO MERLINO

Born in Naples, Italy in 1952
Moves to Trieste, Italy in 1991

ONE-PERSON EXHIBITIONS

2005
Artefiera, Silbernagl Undergallery Bologna, Italy
Galleria Toselli, Milan, Italy
2003 O’artoteca, Milan
2002 Abbazia di San Vito, Bari, Italy
2001 Artissima, Torino, Italy
Galleria Raffaella Sibernagl, “Merlino: La pittura ai tempi del
NASDAQ,” Daverio, Italy
“Amando Macondo Minando,” Silbernagl Undergallery, Milan
1999 Galerie Jan Wagner, Berlin, Germany
Galleria Rafaella Silbernagl, Daverio
Oprandi, Boltiere, Italy
Alter, Torino
1996 Arte 3, Milan
Alter Galleria, Milan
1995 Lucio Amelio, Naples, Italy
Art 26, Galleria Lucio Amelio, Basel, Italy
Galleria Nazionale d'Arte Moderna, Rome, Italy
Piece Unique, Paris, France
Filo Arte, Treviso, Italy
1994 Nohra Haime Gallery, New York
Art 25, Galleria Lucio Amelio, Basel
Arte 3, Artissima, Torino
1993/94 Arte 3, Trieste
1993 Juliet, Trieste
Galleria Cardi, Milan
Galleria Toselli, Milan
1992 Art 23, Galleria Lucio Amelio, Basel
Juliet, Trieste
1991 Galerie Aline Vidal, Paris
Salon de Mars- Galerie Aline Vidal, Paris
Galleria Toselli, Milan
1990 Galleria La Bertesca, Genoa, Italy
1989 Studio Noacco, Chieri, Italy
“Duello,” Lucio Amelio, Naples
1988 Piramide Arte Contemporanea, Florence, Italy
Galleria la Polena, Genoa, Italy
Perspective 88, Basel, Switzerland
Juliet's Room, Trieste
1987 Galleria Massimo Minini, Brescia, Italy
Galeria Lucien Bilinelli, Brussels, Belgium
Gallerie Giuli, Lecco, Italy
Gallerie Zelig, Bari, Italy
1984 Museo de Bellas Artes, Bilbao, Spain
Galleria Toselli, Milan
Galleria La Bertesca, Genoa
Galleria Rizzardi, Milan
FORUM-Galleria Toselli, Zurich, Switzerland
1983 Expo Arte-Galleria Toselli, Bari
Campiello della Feltrina-Galleria Tosselli, Venice, Italy
1982 Galleria Toselli, Milan
Galleries Soletti, Milan
1981 La Cappella Underground, Trieste
1979 La Cappella Underground, Trieste

PROJECTS

2003 Masks for “L’Arbitrato,” Teatro Velia, Salerno, Italy
Masks for "The Mistress from Samos" by Menander Performances
in Italy, Japan, Boston, New York, and Washington, D.C.

BIBLIOGRAPHY

Andre, Michael."Chia, Paladino, & Merlino," Cover, New York, Summer, 1993, p. 17.
Bandini, Mirella. "Mostre Parallele," Verona, Palazzo Forti, 1983.
Battarra, Enzo. "Svizzera tropicale. A Posillipo," Il Giornale di Napoli, (Naples) April 20, 1995 p. 17.
Biennale ’76, Alfieri catalogue, Venice, 1976.
XLV Biennale, Marsilio, catalogue, Venice, 1993.
Bilardello, E. “Una grande tela in tre giorni,” Corriere dell Sera 4/6 1984.
Bonito Oliva, Achille. Merlino: Amando Macondo Minando. Milan, Silbernagl, 2001, 56 pp., illustrated.
Bonuomo, Michele. "Massini e Merlino: Le Regole del Cioco," Naples, Informatore d'arte, no. 15, Edizione Lucio Amelio, 1989.
________ . “Duello,” Napoli e dintorni-Informatore d’arte, no. 15, Amelio, Napoli, 1989.
Bonuomo, Michele & Fiore, A. “Uomini di mondo,” Confini, Cuneo, 1994.
Bonuomo, Michel & Roberto Vidaldi. "Que Mitie e Luoghi di Merlino," Ian editore, Naples, 1988.
_______. “Terrae Motus,” Guida, Napoli, 1987.
Brollo & Santi. “Amazonas,” Juliet Extra Issue, Trieste, 1990.
Carboni, M. “La pittura probabilmente, “ Comune di S. Miniato, 1984
Calabresi, O. and Patresi, L. “Gioventu quotata,” Panorama, no. 1153, 1988.
Celant, Germano and Licitra Ponti, Lisitra. Pinturas Dibujos, Museo de Bellas Artes, Bilbao, November-December 1984.
Centioni, P. “Ontani-Merlino,” Juliet, Trieste, no. 61, Feb. 1993.
Ciardi, Nives. Modo, No. 53, October 1982.
Corbi, V., “Giovane duello da Lucio Amelio,” Paese Sera, 7/61989.
De Candia, M. “Sessanta opere dalla Biennale,” Trovaroma/La Repubblica, 13/ 7 1995.
D’Elia, A., “Mago Merlino nella giungla,” La Gazzetta del Mezzogiorno, 7/1/1988.
De Feo, Giovanna and Anna Imponte, "partito preso", Galleria Nazionale d'Arte Moderna, Rome, July 1995, illustrated.
De Laszofalva, L. V. “Magazzini de Sale,” Trieste Oggi, 5/31 1995.
Dentice, F. “I non replicante,” L’Expresso, no. 25, 1986.
Durante, F. “I dionisiaci,” Il Mattino, 7/6 1988.
Edition Internationale, No. 36, Fev./Mars 1992, illustrated.
Edney, Andrew. “Cat: Wild Cats and Pampered Pets,” New York, Watson-Guptill Publications, 1999, p. 382, illustrated.
“Exibart.com”, Museo Comunale D’Arte Contemporanea – Palazzo Pino, Pascali, Feb. 16, 2004
"Extemporanea," ass. L'Attico, 1984.
Filomarino, M. R. Juliet, (Trieste) no. 5, November 1981.
Fogliani, Piera. AMICA, November 1984.
Fonio, G. “La macchina per sedersi,” Greco ed., Milan, 1991.
Francalanci, Ernesto L., Ist. George. De Augostini, "Arte del novecento," 1987.
Fuller, Gregory. "Kitch Art," Dumont. 1992.
Gabrielli, G. “Ontani & Merlino,” Il Meridiano, 3/112/1992.
________. Quattro in fila, “ Il Meridiano, 4/2/1993.
________. “Il contemporaneo arriva al museo,” Meridiani 5/5 1994.
Gallati, Carol Dayer. "American Art Today: Night Paintings," The Art Museum at Florida International University, Miami, January 13-February 18, 1995, catalogue, illustrated.
Gambardella, Claudio. Interni. no. 370. May 1987.
________. “Terrae Motus a Parigi,” Interni, no. 370, 1987
Gargiulo, Giuliana. "Max anno II," July 1986.
________. Harper's Bazaar. Italian edition, July - August 1987.
Giudici, Lorella. "Milano Reviews," Juliet, (Trieste) February - March, 1994, p. 65. illustrated.
Godfrey, Tony. The New Image: Painting in the 1980's, Abbeville Press, New York, 1986, illustrated.
Graves, R., Nardon, P. & Pietracci, F. “Larca di Noe,” Politi, Milano, 1993.
Grossa, Don Dino. "Camie Ya Jama," Amazones (Juliet), March, 1990, pp. 32 - 38. illustrated.
Ichikawa, Msanori. Color and/or Monochrome, Museum of Modern Art, 1989, Tokyo.
Kohen, Helen. "Living Arts," The Miami Herald, Miami, January 21, 1995.
La Imagen del animal. Madrid, 1983-84.
Levi, P. “Pennelli sotto il Vulcano,” L’Europeo, 15/4 1994.
Mari, A. “Adro sulla Luna,” La mia casa, no. 169, 1984.
Merlino, Silvio. Blue Butterflies Do Not Know the Lightness of Being, Nohra Haime Gallery, New York, 1989, exhibition catalogue illustrated.
Modo, no. 53, 055. 82.
Muñoz, J. “La Imagen del animal,” Museo de Bellas Artes & British Council, Madrid, 1983.
McCoy, Jason. “Group Show,” Artnet.com, Reviews, Cybersurfing 57th, June-July, 1997.
“1979-1982,” catalogue, Galeria Toselli, Milano, 1983.
Noise no. 3, Maeght Editeur, Paris, 1987.
Newfield, Marcia. “Silvio Merlino/ Nohra Haime Gallery,” Cover, New York, Vol 11, #5, 1997, p. 45.
Oliva, Achille Bonito. "La scuola di Atene," Centro Di, 1983.
Prato, A. “Un bel quadro accanto ai BOT,” Gente Money, no. 2, Feb. 1993.
Pizzi, Stefano. Esquire & Derby, no. 6-7, 1987.
Ponti, Lisa Licitra. Domus, no. 642, September 1983.
________. L'Altara Casa, no 35, September 1986.
Que mitie luoghi di Merlino, Lan Editore, Naples, 1988.
Raphaeli, Clarisse. "4e Salon de Mars: Les Vertus de la Confrontation," Vogue Decoration.
Red Flippers. New York, Nohra Haime Gallery, 1994, exhibition catalogue, illustrated.
Rovasino, G and Tossatti, B. “Instantanea,” Suremarte, Bologna, 1993.
Rubbini, Alice. Exelixis. Pneumatico Kentro, (Athens), February 1997, exhibition catalogue, illustrated.
Santi, M. “La Svizzera tropicale di Merlino,” La Tribuna, 1/16 1996.
Sargentini, Fabio. Extemporanea, L'Attico Editrice, Rome, 1984.
Sereni, S., Teorema d’artista,” Epoca, no. 1963, 1988
Toselli, Franco. Domus, Milan, no. 631, September 1982.
________. Lodi all'Arte 1967-1995,Milan 1996, illustrated.
Trini, Tommaso. Vogue, Italian edition. 429, December 1985.
Trimarco, A. “E la tigre fini in trappola,” Il Matino, 6/20 1989.
________. “Da TotoFreud alla vocazione tropicale della Germania.” Il Mattino, 5/19 1995.
Verginie, Lea. Geometrie dionisiache, Milan, 1988.
Vidali, Roberto. “Merlino,” La Cappella Underground, Trieste, 1981.
________. Juliet, Trieste, no. 9, November 1982.
________. Juliet, Trieste, no. 15, 1984.
________. L'uva di Giuseppe, Juliet extra issue, Trieste, no.26, May 1986.
________. Juliet, Trieste, no. 28, November 1986.
________. Merlino: Hapax Legomenon, Nohra Haime Gallery, New York, 1986, exhibition catalogue, illustrated.
________. Vidali, Roberto. “Giuseppe Della Giungla,” Juliet, no. 29, December 1986 – January 1987.
________. Flash Art, no. 140, 1987.
________. Juliet, Trieste, no. 36, April-May, 1988.
________. Merlino, Studio Noacca, Chieri, 1989.
________. Bestio! (supplement to Juliet), Trieste, no. 61, February 1993, illustrated.
________. "Amazonas," Juliet editore, Trieste, 1993.
________. "Merlino," Arte 3 ed., Trieste, 1993.
________. Figurazioni di,” Meridiani, 2/10 1994.
________.“Costruttore di trappole,” La Cronaca, 2/26 1994.
_____ __. “Odissea 2001,” La Cronaca, 3/26 1994.
____ ___. ”Punti di vista,” Ed. Della Laguna, 1994.”
___ ____. Nebbia Parco Dei Supereroi Magazzini del Sale alle Zattere. Juliet/Parco
Foundation: Venice. June 1995.
________. “Libelulle,” Juliet Extra Issue, (Trieste), 1995.
Voce, Lello, Roberto Vidali and Silvio Merlino, Il Manuale del Giovane Merlino, Trieste, Juliet Editrice, 1996, illustrated.
________. “Magiche tele sporgenti,” La Tribuna, 16/12 1995.
________. Farfalle da combattimento, with C.D. ,Italy, inVersi Bompiani, 1999, illustrated by Silvio Merlino.
Vogue, no. 393, Italian edition, Nov. 1982.
Wagner, I. “terrae Motus alla Reggi di Caserta,” Electa/Guida, Naples, 1992.
Watkins, Eileen. "Watercolors go beyond their conservative image," The Sunday Star-Ledger, NJ, February 13, 1994, pp. 4-19.
Wolff, Theodore F. "To beat summer blahs, one gallery turns to blues," The Christian Science Monitor, August 3, 1988, p. 21.
XLI Biennale, Electa, catalogue, Milano, 1984.

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