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 Hearne Pardee  (20/21st century)

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Lived/Active: New York/California      Known for: landscape-distant view painting, art education

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This biography from the Archives of AskART:
Hearne Pardee

A landscape painter, Pardee serves as Professor of  Art at the University of California, Davis.  He is married to Gina Werfel, painter and Chair of Art and Art History at UC Davis.
1969  BA, Yale University
1969-73  New York Studio School
1975  MFA, Columbia University

Selected Exhibitions:
2007  Weigand Gallery, Belmont, California (2-person)
2006  Bowery Gallery, New York, New York
2003  "Gone West", John Natsoulas Gallery, Davis, California (4-person)
2000  Washington Art Association, Washington Depot. Connecticut (3-person)
1986  Jersey City Museum, Jersey City, New Jersey (2-person)
1984  Colby College Museum, Waterville, Maine (2-person)
1983  College of William and Mary, Williamsburg, Virginia (2-person)
1982  University of Maine, Farmington, Maine
1979  French National Theater, Caen, France

Selected Group Exhibitions:
2006  Nine at Gaia, Gaia Arts Center, Berkeley, California
Flatlanders: A Regional Roundup, Nelson Art Gallery, Davis, California, curated by Renny Pritikin
2005  From Post-War to Postmodernism, Leroy Nieman Galleries, Columbia University, New York, NY, curated by Jennifer Samet
2004  The Continuous Mark, Forty Years of the New York Studio School, New York Studio School Gallery, New York, New York
2003  Drawing Conclusions: Work by Artist-Critics, New York Arts Center, New York, New York, curated by Judy Collischan
1999  Perceptual Drawings, Wright State University, Dayton, Ohio, juried by Rosemarie Beck
1998  Yosemite Renaissance XIII, Yosemite National Park, California, juried by Ted Orland and Karen Tsujimoto
1991  Contemporary Landscapes, Art Institute of Boston, Boston, Massachusetts
1987  Artists Who Teach in Maine, Maine Coast Artists, Rockport, Maine
1986  Landscape, College of William and Mary, Williamsburg, Virginia
1981  Hudson River Museum, juried group exhibition, Yonkers, New York

Mark van Proyen, Bridges Between World and Mind: The Paintings of Hearne Pardee and Gina Werfel, catalogue essay, Weigand Gallery, Belmont, CA, 2007
Gerard Haggerty, "Hearne Pardee", ARTnews, October 2004
Peter Frank, "Gone West", catalogue essay, John Natsoulas Gallery, Davis, CA, 2003
Carl Little, "Hearne Pardee", Art in America, April, 2001
Robert Sievert, “Hearne Pardee”,, February, 2001
Valerie Gladstone, “Hearne Pardee”, ARTnews, June, 1998
Jonathan Goodman, "Hearne Pardee", ARTnews, April, 1995
James Nelson, “Werfel, Pardee Strongly Rooted in Abstract Expressionist Vision”, The Birmingham News, October 29, 1995
“Shows at Second Street Gallery”, Charlottesville Observer, June 5, 1994
"Landscape Paintings of Hearne Pardee", Orion Magazine, Winter, 1994
Gerrit Henry, "Hearne Pardee", ARTnews, December, 1992
Alicia Faxon, “Contemporary Landscapes at Art Institute of Boston”, Art New England, June/July, 1991
Naomi Kenan, "Two Painters' Views of Same Scenes", Jersey Journal, March 28, 1986
Jennifer Dunning,  "Where to get off the Beaten Track", New York Times, January 18, 1985
Edgar Allen Beem, “Hearne Pardee and Gina Werfel at the Colby Museum”, Maine Times, February 18, 1983
Haggerty, Gerard, "Hearne Pardee:  Cut-ups and Paintings", Art New England, April 1982

Selected Writings: Essays
"Travel and Everyday Life",, April, 2007
“Pure Painting: Milton Resnick Talks”, Art Journal, Spring, 2004
“Internal Images: The Digital Photographs of Peter Campus”, catalogue essay, Kunsthalle Bremen, 2003
“Proximity”, catalogue essay, The Work Space, New York City, 2002
“The Interface of Abstraction and Landscape”, Journal of the American Abstract Artists, Fall, 2000
“Lucien Day”, Art New England, Summer, 2000
“Reinterpreting Landscape”, catalogue essay, Maier Museum of Art, 1996
“Joan Mitchell”, catalogue essay, Maier Museum of Art, 1994
“Jennifer Bartlett”, catalogue essay, Maier Museum of Art, 1992
"A Distant Vision: Charles Tomlinson and American Art", Partisan Review, Summer, 1991
Review article on aesthetic theory, Art Journal, Summer, 1989
"Durational Perceptions: The Work of Peter Campus", Arts Magazine, December,1988
"Inner Images", Arts Magazine, November, 1986
"Landscape and the Language of Abstraction", Arts Magazine, September, 1985
"The New American Landscape", Arts Magazine,  April, 1984
"Six Painters at the Hudson River Museum", Arts Magazine, September, 1983
"A  Reading of Marsden Hartley",  Arts Magazine,  September, 1983
"Proust's Visual Imagery", Yale French Studies, 1965

Selected Writings: Reviews:
"Stanley Lewis", Art in America, January, 2008
"Chris Daubert", Art Ltd., November, 2007
"Sandy Walker", Art Ltd., May, 2007
"Robert Berlind", Art in America, April, 2006
"Elena Sisto", Art in America, March, 2005
"Cecily Kahn", Art in America, February, 2005
"Jake Berthot", Art in America, January, 2005
"Nell Blaine", Art in America, September, 2003
"Peter Campus", Art in America, July, 2003
“Larger Than Life: Paintings by Leland Bell and Paul Georges”,,  August 2002
“Catherine Lee”, ARTnews, October, 1999
“Tony Smith: Stinger”, ARTnews, Summer, 1999


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