Artist Search
   
a b c d e f g h i j k l m n o p q r s t u v w x y z 

 Al (Alexander) Gillespie Raymond  (1909 - 1956)

About
 

Summary

Examples of his work

 
 

Quick facts

Exhibits - current  
 

Biography*

Museums

 
 

Book references

Magazine references pre-2007  
 

Discussion board

Signature Examples*

 
 
Buy and Sell
  For sale ads

Auction results*

 
 

Wanted ads

Auctions upcoming for him*  
 

Dealers

Auction sales graphs*

 
 

What's my art worth?

Magazine ads pre-1998*  
 

Market Alert - Free

 
Lived/Active: New York      Known for: illustration and cartoons

Login for full access
 
View AskART Services









*may require subscription

Available for Al (Alexander) Gillespie Raymond:

Quick facts (Styles, locations, mediums, teachers, subjects, geography, etc.) (Al Raymond)

yes

Biographical information (Al Raymond)

yes

Book references (Al Raymond)

12

Museum references (Al Raymond)

3

Artwork Wanted (Al Raymond)

1

Dealers (Al Raymond)

1

Auction records - upcoming / past (Al Raymond)

368
new entry!

Auction high record price (Al Raymond)

368

Signature Examples* (Al Raymond)

2

Analysis of auction sales (Al Raymond)

yes

Discussion board entries (Al Raymond)

0

Image examples of works (Al Raymond)

346

Please send me Alert Updates for Al (Alexander) Gillespie Raymond (free)
What is an alert list?

Ad Code: 2
Alexander Gillespie Raymond
from Auction House Records.
Flash Gordon Sunday Comic Strip (Used to Create a USPS 1995 Comic Strip Classics Stamp)
Artwork images are copyright of the artist or assignee
This biography from the Archives of AskART:
Alexander Raymond, noted for his illustrative style, rose from the bullpen at King Features Syndicate to become one of the most celebrated cartoonists of the 1930s, 1940s, and 1950s. In a career that spanned a quarter of a century, Raymond was responsible for four influential strips: Secret Agent X-9, Flash Gordon, Jungle Jim, and the cerebral Rip Kirby.

Alexander Gillespie Raymond was raised in the affluent suburb of New Rochelle, New York, the son of a civil engineer. If he showed any sign of following in this fathers footsteps, it was a closely guarded secret. In fact, he credits his father for having "a vision to see beyond his own business, to realize that art could be a worthwhile career, too", and claimed the elder Raymonds office walls were tattooed with his artwork. When, or even why Raymond decided on a career as a cartoonist can only be guessed. It is known, however, that his family lived near Russ Westover, of Tillie the Toiler fame. It is possible that on visits to the Westover home, Raymond became fascinated by his neighbors work and chose to be a cartoonist also.

When his father died, Raymond was still leaning toward sports, having entered Iona Prep School in New Rochelle on a football and baseball scholarship. He is said to have been offered an athletic scholarship to Notre Dame University also. But, as the eldest of five children, he was forced to be the familys breadwinner and took a job on Wall Street as an order clerk while still a teenager. The Crash of 1929 sent him scurrying elsewhere to earn a dollar, and he wound up, as he described it, a solicitor for a mortgage broker. He also enrolled in the Grand Central School of Art, and was soon calling on his old neighbor, Russ Westover, for advice.

Westover apparently recognized Raymonds talent and used him as an assistant on Tille the Toiler. He then landed Raymond a job in the bullpen at King Features in 1930. Raymond did some toiling of his own at $20 a week, assisting the Young brothers, Lyman and Chic, on Tim Tylers Luck and Blondie, while also continuing to work on Tillie.

For the next four years about the time it takes to earn a college degree Raymond received as good an education in the field of cartooning as could be found anywhere. Under the management of president Joe Connolly, King Features was one of the premier syndicates in the country. While Raymond was going to "school" in the KFS bullpen, Connolly was a whirling dervish of ideas, looking for anything to capture the lucrative newspaper market detective stories, jungle stories, science fiction, mystery. He hired Dashiell Hammett, the famous author of The Maltese Falcon, to write Secret Agent X-9, a new strip based on the hard-boiled detective characters Hammett had created for pulp magazines. He also hungered for a strip to go head-to-head against Buck Rogers, and another to counter Tarzan. A major beneficiary of all these ambitions was Alexander Raymond, the former clerk from Wall Street.

In late 1933, and early 1934, the almost 23-year-old Raymond emerged from the bullpen to win the illustrating chores of Secret Agent X-9 as well as Flash Gordon and Jungle Jim. All three debuted in 1934.

Initially, Raymonds style was stiff, almost amateurish in contrast to his later work. However, he quickly developed into one of the leading cartoon artists of his day, a fitting rival to Hal Foster to whom he was often compared. But three strips proved too much even with the assistance of the able Austin Briggs and so Raymond stopped work on Secret Agent X-9.

During World War II, Raymond relinquished Flash Gordon and Jungle Jim to Briggs, and enlisted in the Marine Corps. He served aboard an aircraft carrier as a combat artist and public information officer. In 1946, with the war behind him, he expected to resume Flash Gordon, but to his surprise, King Features had other plans a detective strip to compete against Dick Tracy. As an enticement, KFS offered him ownership of the new strip, which turned out to be Rip Kirby. Kirby was a private investigator with intellect, a retired Marine officer (like Raymond) who wore glasses, smoked a pipe, and (as Raymond did) loved classical music, golf, and drove sports cars. Devoting nearly all his energy to the strip, Raymond turned Rip Kirby into a tour de force.

In 1956, Raymond drove a sports car into a tree in Westport, Connecticut, killing himself and cutting sort a brilliant career. He was a month shy of his 47th birthday.


(Information on the biography above is based on writings from the book, "The Encyclopedia of American Comics," edited by Ron Goulart.)


** If you discover credit omissions or have additional information to add, please let us know at registrar@AskART.com.


Al Raymond is also mentioned in these AskART essays:
Cartoonists

  go to top home | site map | site terms | AskART services & subscriptions | contact | about us
  copyright © 2000-2014 AskART all rights reserved ® AskART and Artists' Bluebook are registered trademarks

  A |  B |  C |  D-E |  F-G |  H |  I-K |  L |  M |  N-P |  Q-R |  S |  T-V |  W-Z  
  frequently searched artists 1, 2, more...  
  art appraisals, art for sale, auction records, misc artists