| "Another socially acceptable print maker was Theo Ballou White, a Philadelphia artist-architect, whose lithographs of buildings and bridges were shown in the fall of 1933. The month before his Washington, D.C. show, White had a solo exhibition in Richmond, where his prints were “introduced” by members of the Junior Women’s Club acting as hostesses. White . . . was implicitly a “gentleman,” traditional in style and subject, whereas the modernists, some of whom were recent immigrants, (showing 500 of 2256 characters). |
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