Paul Zelanski Professor Emeritus
Education: MFA Bowling Green State University, Bowling Green, Ohio BFA Yale University, New Haven, Connecticut, student of Joseph Albers Certificate from The Cooper Union, New York City
Teaching Experience: Professor of Art, University of Connecticut, 1962–1995 Instructor of Art, North Texas State University, Denton, Texas, 1958–1962 Graduate Teaching Assistant, Bowling Green State University, Bowling Green, Ohio, 1957–1958
He taught the first color class, first graphic design class, and the first computer course (a programming course in computers for art students) at the University of Connecticut. He started the computer graphics program in early 1980s in the Department of Fine Arts
Books Published: The Art of Seeing, 7th edition 2007, Prentice Hall Color, 5th edition 2006, Prentice Hall Design Principles and Problems, 2nd edition 1996, Harcourt (now Thomson Wadsworth) Shaping Space, 3rd edition 2007, Thomson Wadsworth
Honors and Awards: Academia Italia Fellow Academy of Fine Arts, Visiting Artist, Krakow, Poland American Artist — Survey of American Contemporary Artists Connecticut Art Directors Club, Hall of Fame Inductee Connecticut Art Directors Club, Lifetime Achievement Award Directory of Polish Americans in the Arts Getty Lecturer, North Texas State University, Denton, Texas Kundera Archives, Czechoslovakia MacDowell Colonist The Museum of Modern Art Archives, San Paulo, Brazil New York Art Review Rijkshogeschool, Visiting Artist, Maastricht, Holland University of Hartford, Master Class: “Color”, Hartford, Connecticut WGBH, Subject of Word Portrait “The Artist”, Boston, Massachusetts Who’s Who Who’s Who in American Art Who’s Who in Education
Selected Exhibitions: Academy of Fine Arts, Krakow, Poland Amon Carter Museum, Fort Worth,Texas Benton Museum, Storrs, Connecticut Boston Museum of Contemporary Art, Boston, Massachusetts Bowling Green State University, Bowling Green, Ohio The Cooper Union, New York City Dallas Museum of Fine Art, Dallas,Texas DeCordova Museum and Sculpture Park, Lincoln, Massachusetts Hampshire College, Amherst, Massachusetts The John Slade Ely House, New Haven, Connecticut Maastricht Academy, Maastricht, Holland North Texas State University, Denton, Texas Shippensburg University, Shippensburg, Pennsylvania Slater Memorial Museum, Norwich, Connecticut Smith College, Northampton, Massachusetts Trinity College, Hartford, Connecticut University of Connecticut Jorgenson Gallery, Storrs, Connecticut University of Massachusetts, Amherst, Massachusetts Wadsworth Atheneum Museum, Hartford, Connecticut Yale University, New Haven, Connecticut
Selected Permanent Collections: Academy of Fine Arts, Krakow, Poland Blake Collection, McKinleyville, California Calmann & King, London, England The Cooper Union, New York City The Dodd Center, Storrs, Connecticut Forth Worth Art Center, Fort Worth, Texas Hampshire College, Amherst, Massachusetts Harcourt Brace, Fort Worth, Texas Housatonic Museum, Bridgeport, Connecticut IBM Collection The John Slade Ely House, New Haven, Connecticut Kearns Collection, Guilford, Connecticut La Corrie Collection, New York City Leonard Bocour Collection, New York City Maastricht Academy, Maastricht, Holland Powell Collection, Champaign, Illinois Ronald T. Lambert Collection, Andover, New York Slater Museum, Norwich, Connecticut Smith Collection, Pueblo, Colorado University of Massachusetts Drawing Collection, Amherst, Massachusetts University of North Texas, Denton, Texas Takenaga Collection, Japan Texas Men of Art Association Collection, Fort Worth, Texas Verda American Collection, Japan Yale University Art Museum, New Haven, Connecticut
Work Featured In: Art and the Creative Consciousness, Graham Collier, Prentice Hall The Art of Drawing, Bernard Chaet, Prentice Hall Interaction of Color, Joseph Albers, Yale Press Studio Talk, Bernard Chaet, Prentice Hall
Information courtesy of the artist
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